Financial Planning Informative Speech

Discourse 4 †Informative Speech We have a group of confused bozos guiding our boat of state directly over a precipice, we have corporate criminals taking us visually impaired, and we can't tidy up after a tropical storm considerably less form a half breed vehicle. In any case, rather than getting frantic, everybody lounges around and gestures their heads when the government officials state, â€Å"Stay the course. † Stay the course? You must child. This is America, not the accursed Titanic. ~ Lee Iacocca Finance arranging legend. A most likely irate Lee Iacocca was showing that account is something that must be pre-arranged, arranged, rethought and even post-planned.Financial arranging in itself doesn't include simply setting spending plans, wage rates or cutoff times. It is tied in with becoming more acquainted with sensible work routine, the way where they can be executed, back up plans that can be utilized and minimal expense with the assistance of which the whole under taking can be executed. So fundamentally, money related arranging and development determining, both include, the responses to the 4 significant inquiries, why, when, where and how (answers must be cost situated). Steps in Long Term Financial PlanningStep 1: Let us take the case of a café, though a money related organizer, one needs to discover genuine responses to 4 inquiries, in particular: Why would it be advisable for us to deliver a particular thing on the menu card? (consider cost of creation and deals cost) When would it be a good idea for us to deliver such a thing and for what time length? (remember occasional costs, expansion of crude material costs) Where would it be a good idea for us to deliver the thing, directly in the shop or some creation place? (consider transport cost, nature of merchandise and selling cost) How would it be a good idea for one to create the thing, physically or precisely? consider gear and work force cost) Step 2: The subsequent advance is to surv ey your business condition. In this progression, looking over the contender's exhibition, evaluating and appropriation is a flat out need. In such a situation, you may likewise set up a cost sheet of the monetary highlights of creation, specifically, the cash that you would need to contribute as an assembling cost, its business cost, and the benefit that it would yield. Legitimately, the deal cost ought to be more than the cost and the arrival over resource proportion/return over venture proportion ought to be healthy.While settling these three figures, you should mull over 3 significant perspectives. Normal spending limit of your clients. Your rival's quality, amount and cost. Fame of the item, likely market, client holding limit of the item, and so forth. In spite of the fact that the pattern of such items is progressively exploratory in nature, they may turn out to be full-time, open most loved items, subsequently it is additionally critical to make a budgetary arrangement to rec oup misfortunes, that emerge in the trial time frame, until the item builds up itself in the market.Step 3: The third and fourth step are increasingly investigative in nature and from the money perspective, they are likewise very far reaching. The possibility that you have to execute in the third step is designation of assets in such a way, that you will in general make a certified benefit in deals, during the since quite a while ago run. In this progression, you will utilize and dissecting income proclamations on just about a consistent schedule. The key is to have uniform money surges for back to back days/months/years. Money surge is essentially all costs and misfortunes. Misfortunes are very wild however costs are certainly controllable.Hence look for crude material sources, labor and creation forms that will assist you with maintaining a uniform and low for every unit cost for the thing/item. For instance have customary providers, who will gracefully at a concurred and uniform expense. This consistency will in the end prove to be useful to check and control startling misfortunes, and will likewise assist you with keeping a decent hold over the market. The second piece of the third step is making money related arrangements. This is significant because of the way that no business is without chance. Such arrangements incorporate development to the crude material provider, protection, arrangements for terrible obligations, additional administrations, etc.Step 4: I might want to call this progression as hold, support and engage. This progression is a serious propelled one, and essentially incorporates a wide range of angles, that target holding the clients. The primary significant capacity of this progression is to create customary information and income articulations. With the assistance of these announcements you will acknowledge whether that very thing on the menu is ending up being productive or not. Simultaneously, you likewise need to keep up an explanat ion that records money inflows and outpourings over a more extended timeframe (in months or a quarter).Thus, you will acknowledge what is gainful for your business, and what your clients need. To summarize the entire hypothesis, it tends to be said that drawn out money arranging is a 3 dimensional diagram, with client, item and market being the measurements. The embodiment of cost and time are added to each measurement. All things considered, the way to effective long haul budgetary arranging is to encourage every one of the three measurements coherently, remembering the substance of time and cash. Peruse more at Buzzle: http://www. buzzle. com/articles/long haul monetary arranging. html

My Life as a Teenage Mother essays

My Life as a Teenage Mother expositions Hey! My name is Karina Rosales I am 22 years of age and I am a high schooler parent. I was 13 years of age when I discovered I was pregnant. From the outset I was willfully ignorant until a pregnancy test affirmed it. I was unable to accept what that pregnancy test said in light of the fact that I never wanted to be pregnant or had even idea of. I generally thought being youthful and pregnant couldnt transpire; likewise I had little data about how to forestall pregnancy and even less about being a parent. At the point when I told my mom that I was pregnant, she was in stun - she couldnt trust it. In the long run, she acknowledged what was occurring and was there to help me. My dad, notwithstanding, didn't address me when he discovered. I kept on going to class as an eighth grade understudy at Spring Woods Middle School. I was the main pregnant eighth grader and different understudies gazed at me and that caused me to feel miserable. At the point when I was around seven months pregnant I needed to leave school since I got wiped out from my pregnancy, so I went to a school that I could go to just two days every week. At long last, I started giving birth on Tuesday, January 29, 2003. I was in serious torment so I concluded the time had come to go to the medical clinic. At 9am, my mom got me from my sweethearts house and took me to the medical clinic. At the point when I showed up at the emergency clinic, the agony had deteriorated I was in so much torment that everything I could do was cry. The medical caretakers checked me in and found that I was 5cm enlarged. An hour passed and I was prepared to get an epidural to help facilitate the agony. Conceiving an offspring was one of the most troublesome things I have ever done. My child, Ruth Michelle Perez was conceived on January 30, 2003 at 1:03pm. Her father was not at the birth since he was in school and he didnt see her until she was seven days old. Time has passed and I've had two additional children. I was just 15 and I had three youngsters. In the event that you ask me for what reason I had more kids, my answer would be, 'I dont know'. Possibly it was on the grounds that I survived an... <!

The Waiting is the Hardest Part COLUMBIA UNIVERSITY - SIPA Admissions Blog

The Waiting is the Hardest Part COLUMBIA UNIVERSITY - SIPA Admissions Blog I do not think that Tom Petty has a graduate degree, however the chorus to his song “The Waiting” is appropriate this time of year.   The lyrics to the first chorus are: The waiting is the hardest part Every day you see one more card You take it on faith, you take it to the heart The waiting is the hardest part I know that waiting to hear of an admission decision is hard.   Believe it or not, it’s hard for me too.   I would love to be done with the review process just as much as everyone would like to get an email from us.     As I have said before though, the coordination involved requires that we take a bit more time with some files than others. I am happy to say that we have hit the 81% mark in terms of decisions being sent out.   This does mean that we still have a sizable chunk of files that we are working on. One major piece of advice if you are still waiting is this â€" do not panic.   Do not read anything into receiving a decision a bit late.   It has to do with the internal process we use, not the applicants being reviewed.   So I ask you to have faith that we are working as quickly as we can, taking decisions to heart, and we will reveal your card soon if you have yet to hear. The Waiting is the Hardest Part COLUMBIA UNIVERSITY - SIPA Admissions Blog I do not think that Tom Petty has a graduate degree, however the chorus to his song “The Waiting” is appropriate this time of year.   The lyrics to the first chorus are: The waiting is the hardest part Every day you see one more card You take it on faith, you take it to the heart The waiting is the hardest part I know that waiting to hear of an admission decision is hard.   Believe it or not, its hard for me too.   I would love to be done just as much as everyone would like to get an email from us.     As I have said before though, the coordination involved requires that we take a bit more time with some files than others. I am happy to say that we have eclipsed the 80% mark in terms of decisions being sent out.   This does mean that we still have a sizable chunk of files that we are working on. One major piece of advice if you are still waiting is this do not panic.   Do not read anything into receiving a decision a bit late.   It has to do with the internal process we use, not the applicants being reviewed.   So I ask you to have faith that we are working as quickly as we can, taking decisions to heart, and we will reveal your card soon if you have yet to hear.

12 Russian Authors Every Language Learner Should Read

The Sql Server Integration Services ( Ssis ) - 1032 Words

Integration While administrators could populate the initial database information manually or user’s key in the data as it is used, it is far more efficient to prepopulate the database from other sources of information. One common way of doing this is through the SQL Server Integration Services (SSIS) which offers a set of tools to load externally sourced information into a database. SSIS may be used to â€Å"integrate many different type of external data sources, while applying complex business rules and workflow logic† (Akkawi, 2014, p. 320) and has two major components. First the Import and Export wizard is a tool that walks the user through a step by step process to aid in database integration. The wizard defines a source and destination for the data and maps between them with limited manipulation. While it is a relatively quick and easy tool its functionality is limited to the options available within the wizards. More extensive functionality is offered by the s econd component, the SQL Server Data Tools (SSDT) which is a, â€Å"comprehensive development environment† that â€Å"caters to more complex data integration situations† (Akkawi, 2014, p. 320). This environment allows the user to add tools catering to various data sources and different ways of manipulating the dataflow. Within a graphical environment the user can create a complex interaction flow representing how data is obtained, manipulated or processed, and then stored. Any user comfortable with Microsoft VisualShow MoreRelatedKudler Dimensional Model Hands-on-Project Essay1513 Words   |  7 Pagesdata warehouse schema and loaded into the data warehouse database along with other non-OLTP data such as text files, legacy systems, and spreadsheets. ETL updates as required (monthly, daily, hourly). 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Thorn Queen Chapter Twenty-One Free Essays

I woke up the next morning, lying on top of my covers, with sunlight streaming in through the eastern windows. It was barely sunrise, but already the air was warming up. It was, as the saying went, going to be a hot one. We will write a custom essay sample on Thorn Queen Chapter Twenty-One or any similar topic only for you Order Now If I truly was connected with the land, I wondered what a heat wave said about my mood. Was it indicative of my preparedness for battle? I squinted up at the play of sunlight on the stone ceiling, unsure of that question, just like so many lately. With a sigh, knowing I needed to get up, I rolled over and came face-to-face with Kiyo. I yelped in surprise. His dark chocolate eyes were open, wide awake. I think he’d been watching me while I slept. He smiled that sexy, smoky smile of his, eyes crinkling slightly. He was bare-chested, clad only in navy blue boxers. â€Å"When did you get here?† I asked. â€Å"I didn’t notice a thing.† â€Å"I know,† he said. â€Å"You were sleeping pretty heavy. Didn’t even budge when I slid into bed.† He rested a hand on my hip and slid it along my bare leg. I’d fallen asleep in a T-shirt. Seeing his eyes and feeling his hand on my skin warmed something in me. Surely all would be right in the world-worlds, even-so long as I had Kiyo. There was just something so overwhelmingly strong and secure about him, a steadiness in the midst of that dangerous sex appeal. I reached out and touched the side of his face, a bit surprised at just how happy I was to have him here with me. â€Å"I didn’t know for sure that you’d come,† I admitted. â€Å"Eugenie, how can you think that?† He continued stroking my leg, but his other arm pulled me close. â€Å"I said I would. I won’t let you go into danger alone.† â€Å"I know you don’t approve of some of the things I do. Roland doesn’t. We had a huge fight.† Kiyo kissed my forehead, then my nose, and then my lips. â€Å"He’s worried about you. I am too. But I understand what you have to do here and why you want to help these people.† I looked at him and felt something lighten up within me, some lonely and aching part that so desperately needed someone to get me. Before, I’d felt like Dorian could. I prayed Kiyo was able to as well. â€Å"You do?† â€Å"Yes.† He kissed me again, his mouth warm and searching. The hand that had been on my leg moved up to my breast. â€Å"I know what it’s like to live in two worlds. You’re brave and do what you think is right, and I’m not going to let anything happen to you,† he breathed in my ear. â€Å"Neither are any of the people gathered downstairs.† He moved his mouth back to mine, but I wiggled out. â€Å"Wai-what? Who’s gathered?† He gave a half shrug, hands still roving over my body. â€Å"Everyone. Rurik’s got the guards there. Jasmine’s up and cuffed. Even Dorian’s here.† I sat up. â€Å"Kiyo! We have to get downstairs then. We can’t-ah.† He’d moved one hand up my inner thigh-up, up, and up. â€Å"We’ve got time.† â€Å"No†¦we†¦don’t,† I managed as his fingers moved in and out of me. For a moment, I thought of how Dorian had done almost exactly the same thing, but then I shoved the memory away. â€Å"They’re waiting†¦Ã¢â‚¬  â€Å"Five minutes, Eugenie,† Kiyo murmured. His other hand shoved up my shirt, and he leaned down to kiss one of my breasts, slowly moving on to suck the nipple, harder and harder. I flinched slightly at the feel of his teeth, and he lifted his face up. â€Å"I’ve missed you, Eugenie, no matter what else you think. I’ve missed you and I love you.† He slid his fingers out of me, and I whimpered at their loss. He smiled. â€Å"And I think†¦I think maybe you missed me too†¦Ã¢â‚¬  And with no other preamble, he rolled me over to my knees and moved up behind me. I don’t know when his boxers came off, but suddenly, he was in me, hard and swollen and grunting with each thrust. I gripped the sheets with my fists, keeping my body arched for him so that he could take me even deeper. His hands clutched my hips, letting him bury himself as far as he could go. I moaned and tipped my head back, my body wanting to take more and more of him into me. Leaning his body over mine, he reached forward and managed to cup my breasts without breaking his rhythm. His fingers caressed them, thumbs rubbing against the erect nipples. The sensations in my body were dizzying, every piece of me feeling like it was on fire. At last he shifted back to his kneeling position and returned his hands to my hips, giving him the best position to fully take me. His strokes grew even harder and faster, shoving himself into me with such force that I could hear our bodies hitting each other. With a great groan, his nails dug into my hips and his whole body jerked as he came. Hands still tight on my hips, he held himself there for several moments, taking his full release. Finally, he pulled away and collapsed onto the bed. Flipping over, I sprawled beside him. â€Å"Okay,† I gasped. â€Å"Now I think I’m ready to fight some demons.† I don’t think anyone really noticed that Kiyo and I had just had sex when we came downstairs. Mercifully, it didn’t even rain. If anyone suspected anything, it was Dorian, with that uncanny way he had of reading people. The guards were drawn up in formation outside, but Dorian was in the parlor sipping tea with Shaya while Ysabel all but sprawled on his lap. Girard was there as well, testing the weight of Dorian’s old sword while Dorian himself studied the drawing of the new sword. â€Å"Eugenie,† said Dorian, arching an eyebrow. â€Å"Don’t you look radiant this morning. Why, you’re positively glowing.† Ysabel scowled at his praise. â€Å"It’s the leather,† I said, tugging self-consciously at my shirt. I’d argued against needing armor, but Shaya had nonetheless obtained a sleeveless top for me made of lightweight leather, good for deflecting blades. It wasn’t porn-star leather or anything, but it wasn’t something I was used to. â€Å"And this,† Dorian continued, pointing to the drawing, â€Å"is exquisite. Thank you.† â€Å"What is it?† asked Kiyo. â€Å"A sword from legends. One to slay evildoers everywhere. Eugenie’s having it made for me.† Kiyo gave me a wordless look that was nonetheless full of questions. â€Å"It’s a thank-you gift. Dorian’s done me a lot of favors lately,† I explained. â€Å"I assure you,† said Dorian straight-faced. â€Å"I take as much joy in the giving as you do in the receiving.† â€Å"Okay,† I said hastily. â€Å"Are we good to go? I saw the guards out there. I’d like this done sooner rather than later.† The biggest impediment turned out to be Ysabel, who threw her arms around Dorian and begged him to be careful. He patted her hastily on the shoulder, assuring her he’d be fine. His eyes were impatient, though, and he didn’t look back when he strode out with the rest of us. Poor Ysabel. I was almost starting to feel bad for her, despite her hopes that I wouldn’t come back. She really was nothing more than a bed warmer to Dorian, and while most of his women knew that, she just couldn’t accept it. Jasmine was ready as well, still bound and looking angry. Volusian was with us, and he had standing orders to subdue her if she tried anything-which I felt pretty sure she would. Unfortunately, I also needed Volusian to fight demons, which meant he couldn’t watch her all the time. None of us could, and I was going to have to do some tricky maneuvering to keep the gun on her while still attempting banishing. Kiyo frowned disapprovingly when he saw her, more so when she had to be helped on to her horse. â€Å"This is wrong, Eugenie,† he said softly, once we were all riding. He was going in human form today. â€Å"Which part? Bringing her or keeping her prisoner?† â€Å"I don’t like any of it.† â€Å"What happened to you saying you understood the choices I have to make?† I hissed. â€Å"Was that just to score sex?† Dorian had ridden up on my other side. I had no doubt he’d heard the sex comment, but he didn’t acknowledge it. â€Å"How would you suggest she handle it then? Let the girl go?† â€Å"No,† Kiyo said, giving Dorian a dark glance. â€Å"But there are more humane ways of dealing with her.† â€Å"I gave Jasmine her own room and got her better cuffs! What else can I do?† I asked. â€Å"I don’t know,† admitted Kiyo. â€Å"Then don’t criticize if you can’t offer a solution,† said Dorian. â€Å"It’s easy to want peace and love in hypothetical situations-then reality sets in, and sometimes we have to do what’s ugly.† â€Å"I don’t recall asking for your input here,† snapped Kiyo. â€Å"As it is, Eugenie, you’ve got a hard choice ahead.† Dorian was speaking like Kiyo wasn’t even there. â€Å"What are you going to do when you’ve finally taken care of this rabble? What will you do with the prisoners?† I shrugged. â€Å"Send them off to work details.† â€Å"Even their leader, Cowan? The one who summons these demons? Surely you don’t want him out and about, even if it is digging ditches.† â€Å"Don’t listen to him,† said Kiyo. â€Å"He’s baiting you. There are prisons, even in the Otherworld. You can send him there if he survives.† â€Å"A charming act of mercy, no doubt,† mused Dorian. â€Å"One that will terrify future enemies.† â€Å"I’m not going to kill everyone who gets in my way,† I exclaimed. â€Å"I’m not my father, no matter how much you want me to be.† â€Å"I wouldn’t quite say that’s what I want,† chuckled Dorian. â€Å"But as a leader, you need to make examples sometimes.† â€Å"Mercy’s not a horrible thing,† I argued. â€Å"Storm King never showed any,† said Kiyo. â€Å"Indeed,† agreed Dorian. â€Å"And I just want to make sure his daughter doesn’t show too much. You aren’t the only one who protects her, master kitsune. We all just do it in different ways.† â€Å"Enough,† I ordered. Rurik was drawing the group to a halt up front, meaning it was time to go on foot. I was grateful, seeing as I was getting sick of listening to Kiyo and Dorian’s pissing contest. Just like before, we went on foot, the whole experience giving me a strange sense of deja vu, even though the bandits had changed location. I also had odd recollections of the time I’d defeated Aeson. Dorian and Kiyo had been with me then, about as thrilled to be with each other as they were now. Shaya had been there too, but Rurik had nearly had a fit when she offered today, and I couldn’t help but recall Girard’s words. I certainly hadn’t had an army at my back when we’d gone after Aeson. Rurik sent men with a knack for moving stealthily to scope out the camp and dispatch any enemy scouts. The waiting made me restless, and a tense silence settled over everyone. I glanced at Jasmine, still bound. I wouldn’t uncuff her until the last possible moment and still didn’t trust her. â€Å"You know what you have to do?† I asked her. She’d been staring off thoughtfully at the guards ahead, taking in the sloped land and scattered pines. Probably planning her escape, I thought ruefully. Like before, these brigands had chosen the best cover they could find in this barren land. She turned to me, immediately putting on her standard scowl. â€Å"Yes.† â€Å"And you know what’ll happen if you try anything?† â€Å"Yes.† Pure malice looked at me from her eyes. â€Å"Good,† I said, shifting my hold on the gun. Her eyes flicked briefly to it, and if it scared her, she made a good show of still looking defiant. â€Å"I hope you hold true to your word,† murmured Dorian, walking up to me. â€Å"Stop poisoning her,† growled Kiyo. â€Å"And both of you let me make my own decisions,† I said. The scouts returned shortly thereafter, giving us the all-clear. We headed toward the encampment, circling it and descending in full force. Thankfully, no one announced our presence, and we had a brief element of surprise before the bandits mobilized. I unfastened Jasmine’s cuffs, hoping I wasn’t making a mistake. My right hand firmly held the gun against her back-holding it to her head had seemed a little too cruel-while the left held my wand poised and ready. Kiyo and the other fighters were going in for the hand-to-hand combat while the other magic users and I stayed back and waited-not that I intended to use magic today. I was strictly in shamanic banishing mode. And there they were. A deep swell of magic permeated the air, and fiery forms materialized on the far side of the camp. I saw Rurik’s gaze travel to the spot they’d come from, his attention not on the demons but on what was potentially the demons’ summoner. Circling around, he headed toward that area. The demons were my job. I nudged Jasmine with the gun. â€Å"Do your thing. Volusian-attack.† I held my breath, wondering what Jasmine would do. A moment later, I felt magic well up in her, a magic similar to my own but with a slightly different feel. Some part of my brain tried to grasp it, hoping I could learn it for later. The rest of me watched as there was a ripple in the air-an opening to the Underworld. Two forms stepped out from the slash in our world. Much like the water elemental from the other night, these two demons were composed of water, sloshing with each step yet maintaining a solid form. They were bigger than the elemental, though, adorned with horns and glowing yellow eyes. â€Å"Only two?† I exclaimed. â€Å"There are five of the others!† Jasmine didn’t respond but held up her hand like a conductor drawing a powerful note from her musicians. For a heartbeat, I wondered if the water demons would come charging toward us. They didn’t. Their attention turned to the fire demons, their ancient enemy from the Underworld. Nearby, Dorian was wielding magic of his own, ripping up the earth from underneath the fire demons so that they stumbled and sank into great holes, making them easy prey. â€Å"Demons aren’t that easy to summon,† he said in her defense, eyes on his handiwork. â€Å"In fact, this will be it for the fire demons. There’s no way that man can summon any more. I’d be surprised if he’s still conscious.† Well, that was something. Jasmine’s servants had two of the fire demons in a deadlock, which meant none of them were going after my people. Volusian was making good work on one of the demons as well, though the other two were rampaging forward. It was time for me to step up. I drew up the human power I’d used my entire life, the power that was based on will and not emotion like gentry magic. My wand focused it, and I sent it out toward one of the loose fire demons, encircling him and summoning up the strength of Persephone to open up a way to the Underworld and suck him back. He sensed the banishment happening, and I felt his power surge as he tried to fight it. I steeled up my own strength, and what seemed like a land mine suddenly went off near him, showering him in dirt and rock as he stumbled. Thank you, Dorian. The Underworld opened up, and the demon dissolved back to his domain, unable to fight my strength. And like the last time I’d fought these guys, the power required for that banishing took a lot out of me. Surveying the rest of the battle, I saw with pleasant surprise that one of Jasmine’s water demons had defeated a fire demon. That water demon had then joined his partner, and it appeared as though they would make quick work of their target. Kiyo and the other soldiers were doing a good job of killing or subduing the rest of the bandits. I turned back to the fire demons, assessing my next strategy. One was unengaged and starting to move toward my soldiers. This banishment was going to be harsh. I drew up all my strength and repeated the process, calling out to Persephone and reciting the words to send the demon back to the Underworld. It distracted him from my soldiers, and he started lumbering toward me. Fuck. â€Å"He. Is. Coming,† said Jasmine stiffly. I couldn’t see her face with my gun to her back but got the impression she was as strained as I was. â€Å"Yeah, I kind of noticed.† He was pushing back at me with his own strength of will. I clenched my teeth. No, no. I am stronger. I am Storm King’s daughter. I needed another distraction to slip him up, but everyone else was busy. Dorian’s attention was on the demon that Volusian battled. That demon was moderately stronger than my minion, but seeing that Volusian couldn’t really die†¦well, it made it hard to destroy him. So, neither was gaining ground until Dorian used some of his magic to attack the demon with a nearby chunk of rock, letting Volusian move in for the kill. My demon was still approaching, and I needed a distraction of my own. Iron didn’t dampen my powers anywhere near as much as it did Jasmine’s, but it could sometimes affect me a little. I could still work my gentry powers while in contact with it, but it was easier without. In an act I was certain I’d regret, I dropped the gun and immediately called upon my storm magic. I would have given anything to blast this demon with lightning, but that was still beyond my control. Instead, I reached up toward the sky, calling on water and air. To my astonishment, I was able to bind them together. Thick, leaden clouds formed, whirling into a weak funnel cloud that descended on the demon. It was the most powerful force of weather I’d ever-consciously-summoned, and it knocked the demon over. I couldn’t maintain my hold on it, and the ministorm dissipated instantly. It was enough, though, and I sent out the banishing before he could respond. It felt like my insides were being ripped out, but I managed it, kicking him out of this world. Gasping and woozy, I looked around, realizing there were no more demons left-well, no fire demons at least. The water demons, victorious, were still there-and they were charging toward us. Shit. I realized then what I’d potentially unleashed. I cuffed Jasmine on the shoulder, nearly knocking her over, and reached for my gun. â€Å"I warned you not to try anything,† I cried, pointing the gun at her. â€Å"Send them away!† â€Å"It’s not me,† she exclaimed back. â€Å"I can’t control them!† Stepping forward, I got a good look at her face. She was covered in sweat, skin pale. Dorian had said demon summoning was hard, and the full weight of what I’d done hit me. She’d summoned them but no longer had the power to control them. I had no more strength left for banishing, but I could feel Jasmine still trying to work her magic, weak as it now was. It was impossible to sense every part of what someone else was doing with their magic, but I got a strong feel for hers. These creatures were bound to water. They were part of my domain. Doing my best to mimic her, I joined my strength to hers, sending commands through my magic, willing them to leave this world. They were nearly on us, and I almost laughed at the irony as my own death approached. Then, suddenly, I felt my magic sync up perfectly with Jasmine’s. Control of the demons slipped into place, and they froze. Together, she and I ordered them back, and there was a tear in the fabric of space, an opening to the Underworld. It was almost like a banishing, but not quite. The demons were willingly-well, with our urging-returning, and our magic helped them with the passage. A moment later, they dissolved from our world. After that, I felt like I’d run a marathon. Every part of me ached and was wearied. Yet, as bad as I was, Jasmine was worse. â€Å"I guess blood really is thicker than water,† she whispered in a very bad attempt at a joke. She swayed on her feet, eyes rolling back in her head, and then she collapsed. I barely managed to catch her in my own weakened state, but then stronger arms took hold. Kiyo. He barely had a scratch, and relief poured through me. â€Å"Thanks.† He lifted her easily into his arms. â€Å"Are you okay?† â€Å"Fine,† I said, looking down at my sister-who hadn’t betrayed me after all. â€Å"She’s bad, though. Get her to a healer.† Kiyo hesitated, not wanting to leave me. Then, he gave a quick nod and loped off in that way that was half-human and half-wild animal. Looking around, I saw that the others were rounding up the remaining rabble. My losses looked light. Rurik was leading a man who seemed to be in the same shape as Jasmine. The demon summoner. Dorian was with Rurik and gave me a quick glance. I knew what was in the look. Kill the summoner or not? I gave a sharp shake of my head. Dorian grimaced and then turned back to help Rurik with his prisoner. No one seemed to notice or need me, and I sank gratefully to the ground, waiting for my strength to return. I wondered if I’d be able to call up the magic again that I had used with Jasmine. Trying to piece it together seemed like too much work now, and I contented myself with watching my people work. Then, out of my peripheral vision, I saw movement. I stood up and looked far to my side, toward a stony bluff covered in cacti. A face peered out at me and then ducked back. I knew the face. It was the scarred gentry who’d come to my house the other night. With no further thought, I started to hurry after him. Then, to my astonishment, I paused and did what Rurik would have wanted. A couple of my soldiers were lingering nearby. â€Å"Hey, come here,† I called, gesturing. They immediately followed as I set off at a brisk pace, moving as fast as I could to reach the bluff. When I turned around the side of it, I saw no sign of the gentry warrior I sought. The ground rose sharply here, beginning to turn into foothills reminiscent of the ones near my house in Tucson. The vegetation was thicker, though still a far cry from a true forest. It was mostly cacti, shrubs, and scraggly trees. Going up the small hill was a narrow path, and on impulse, I headed up it in search of my prey. The footsteps of my soldiers sounded behind me, their boots crunching in the gravel. Who was that guy? And why was he here now? Was he one of the bandits? I hadn’t seen him in the fight. Was he some sort of spy, perhaps, which was why he’d come to my house and- Snick. Snick. Two arrows came out of nowhere as we reached the crest of a hill. Each one hit one of my soldiers in the chest, dropping them to the ground. I came to a screeching halt, waiting for my arrow, peering around the trees for the mystery gentry to reveal himself. But he didn’t. Art did. He smiled, stepping forward. â€Å"Eugenie, nice to see you again. You’ve been very busy around here, I hear.† He waved vaguely toward where I’d come from, though my people were nowhere in sight. Eugenie, I thought, you are a fucking moron. Beyond Art, I saw the gentry I’d chased emerge from the cover, along with two others-all wearing leather armor like Jasmine had described. They carried bows and wore red shirts under the armor. â€Å"Roland called me last night and nearly bit my head off about getting you involved in gentry politics.† Art shook his head, amused. â€Å"I wonder what he’d say if he only knew just how involved you were-your majesty.† I was exhausted as hell and devoid of magic. But-I was still human and not without human implements. The gun was still in my hand, and I jerked it up toward him. I needed to distract him until some of my own people came. Fuck. I shouldn’t have come rushing up this hill, even if I had had the sense to bring some backup. The question now was, would the rest of my people notice I was gone? Usually, I could hardly step outside the castle’s door without a dozen people in tow. Art tsked me. â€Å"Would you really do it? Would you really kill one of your own kind? Or are we even your own kind?† Magic suddenly filled the air-familiar magic. Shamanic magic. It encircled me like fog, thick and heavy. Forgetting Art, I turned abruptly around, toward the sound of words being chanted-words I knew by heart. Abigail was standing there, wand in hand. And so help me, she was banishing me. I felt her will shove up against mine, just as I’d grappled with the demons. The world around me began to tear open as a vortex started to pull my essence apart. I fought it, fought it with every ounce of strength I had-but there was just none left to give. When it came to traveling the worlds, crossroads and gateways were the way to go. They made for a smooth transition. Or, one could travel like I often did, journeying to some item imbued with your essence, an item that couldn’t help but draw your soul to it. And rarely, if you had the strength, you could tear open a gateway by force and shove your way into another world. That wasn’t recommended. It hurt like hell. And essentially, that’s what a banishing was-only it wasn’t your choice. It was someone ripping you out of the world and shoving you into another. I felt the fabric of this world open up, felt the unstoppable pull of another. I couldn’t fight it. I tried. I kicked, I screamed, but I was too weak. I felt like I was shattering into a million pieces, sucked into a whirlwind and then, I was gone. How to cite Thorn Queen Chapter Twenty-One, Essay examples

Taylorism and Linear Programming Concep to Increase Work Efficiency

Question: Discuss about the Taylorism and Linear Programming. Answer: Taylorism Key ideas learned from the e-learning Work efficiency Cost reduction Economies of scale Lack of labor unions Men were treated like machines Invention of production lines The Taylorism ideology might not be acceptable at all in the modern Australia, America or Europe since these nations have continuously evolved and moved on from the scientific theory of management that used to treat workers like machines. The idea of bringing work efficiency during the time when Ford was manufacturing cheap cars took place at the expense of the workers, whom Taylor gave a structured routine that limited creativity(Harris, Nelson, 2016). The modern time's theory of management is contrary to Taylors as it values the workforce and views it as an organization asset. Moreover, the organization ensures work efficiency through providing better work tools and improving the work environment as well as providing training. Also, Taylorism did not recognize the role of the labor unions and victimized who ever joined the union, while in the modern management practice the role of the labor union has been given a place in the organization's considerations. However not all about Ta ylorism can be refuted by Australia, America or Europe. The concept of mass production or economies of scale is still in use especially in the modern manufacturing as it helps the cost of production and increases profits as well as optimally tap the workforce output. Moreover, the Taylorism concept contributed to the invention of production lines which helped increase work efficiency and is still in use in many of the industrialized countries (Hasan, Zhou, 2015). The Taylorism concept can best be described through the example of a calling center. In calling centers, individuals are authorized to connect calls from one caller to another. In such a work setup, work efficiency is achieved when the worker can connect as the man calls as possible. Just like in Taylorism, production efficiency is achieved when the worker manages to contribute more to work, this kind of an approach regards the worker to be a machine and fails to consider that as the worker continues to operate the level of productivity also decreases due to fatigue unlike machines (levis, 2017). However, the Taylorism approach can still apply to the third world economies, as it helps to boost economic growth, through mass production as well as through increased incomes. According to the clip, the move by Henry Ford to double salaries made the countrys economy to grow as well as improved the countrys GDP. Moreover, the same move increased the chances of the worker to access a vehicle besides driving the production into unimaginable capacity(Loader, 2015). Linear programming Key ideas Resource optimization Cost reduction Identification of constraints Maximization and minimization of variables The limitations of linear programming Though the linear programming techniques are widely used by management especially in car manufacturing industry, it does have the following limitations. In linear programming, it is highly complex to determine the specific objective function It is also hard to determine the various financial and technological constraints that are operating to pursue a given objective even if the particular objective is laid down. Sometimes a given set of constraints may not be directly be interpreted as linear inequalities in a specified objective and set of constraints (wisely, 2006). If it happens that the challenges mentioned above are adequately addressed, it would still be a problem in determining the relevant values required for the constant coefficient that is fed into the linear programming model such as the price. The linear programming technique relies on a hypothesis that considers input and output to be linear. As a result, the hypothesis suggests that the inputs and outputs can be divided, multiplied and even added. However, in real life, output and inputs do not always have a linear relationship, and sometimes their relation is not clear. The assumption of the technique that there is an existence of perfect competition in product and factor markets does not happen in real life. The linear programming technique operates on a hypothesis of consistent returns. However, in real life, a firm can only experience either diminishing or increasing returns in production Linear programming is highly complex and as it requires maximization or minimization of clearly specified variables. Also, the solution is obtained through the simplex method which is composed of mathematical calculations with huge numbers. Linear programming uses models that give trial and error solutions; this limits the ability to find the optimal solution for various economic complexities (McEwan, 2014). Application of linear programming In a typical car manufacturing industry, the linear programming is used to perform the following functions: Application of linear programming technique is mostly used in production management to determine the optimal allocation of resources such as materials and workforce (Loader, 2015). Also, it is applied in personnel management to solve challenges relating to recruitment and deployment. Linear programming also applies in inventory management to minimize inventory cost. Marketing management is also another area where linear programming is applied to analyze the audience coverage of advertising based on the available media(Mathews, 2014). The linear programming technique also plays a role in financial management, where it is applied in the selection of investment portfolios. Finally, the linear programming technique is used to blend problems when the final product is produced by mixing various raw materials. Conclusion Taylorism approach is the mother of production efficiency that saw Ford manages to deliver on his goal of manufacturing cheap cars that Americans could afford. His interest in improving the time taken to perform a particular piece of work is what drove him to treat human beings as machines. However, his contribution to the world of management has contributed immensely on how wages are paid as well as introduced the concept of work distribution. Moreover, the increased number of tasks and challenges, as well as the evolution of management practices, has given rise to linear programming which helps to determine the course of action of the management References Frank, m. (2017).Ford and Taylor Scientific Management (Edited).YouTube. Retrieved 5 May 2017, from https://www.youtube.com/watch?v=8PdmNbqtDdI Harris, T., Nelson, M. (2016).Applied organizational communication(1st ed.). New York: Lawrence Erlbaum Associates. Hasan, M., Zhou, S. (2015). Knowledge Management in Global Organisations.International Business Research,8(6). https://dx.doi.org/10.5539/ibr.v8n6p165 levis, k. (2017).Riding the waves of culture: Fons Trompenaars at TEDxAmsterdam.YouTube. Retrieved 5 May 2017, from https://www.youtube.com/watch?v=hmyfjKjcbm0 Loader, D. (2015).Fundamentals of global operations management(1st ed.). Chichester, England: John Wiley. Mathews, J. (2014). The Evolving Global Mindset and the Management of Organisations.SSRN Electronic Journal. https://dx.doi.org/10.2139/ssrn.2344640 McEwan, T. (2014).Managing values and beliefs in organisations(1st ed.). Harlow, England: Financial Times/Prentice Hall. wesly, b. (2006). Integrating Global Organisations: The Role of Performance Measurement Systems.Management Accounting Research,17(1), 121-122. https://dx.doi.org/10.1016/j.mar.2005.12.003

Why Can’t we Remember the Books we Read - The Writers For Hire

WHY CAN’T WE REMEMBER THE BOOKS WE READ? You know you read the book. You can even remember where you bought it, where you were when you were reading it, and what the cover of the book looked like. What you can’t remember, though, is the actual book itself. But, why is that? This fascinating piece by The Atlantic explains how our brains have a â€Å"forgetting curve† when it comes to retaining details about the books we read, movies we watch, or things we see on the internet. They go on to further explain that while we are able to remember things that are important to our everyday lives, our brains recognize that things like details from books and movies are not things that are vital for us to store in our memory. After all, those are things that we can easily refer back to, if needed, by re-reading the book or re-watching the movie. While it may appear that things like books, movies, and the internet are dumbing us down by allowing us to store our memories externally, it seems that the internet age has really just caused our brains to re-prioritize the things that we remember. So, instead of trying to remember the details of the book we read 6-months ago, our brains are able to focus on more important things.

Free Essays on The Death Of The Profane

Too Hot To Handle â€Å"The Death Of The Profane† is an exert from The Alchemy of Race and Right, written by Patricia J. Williams. She is a professor of law at Columbia University. The argument is valid, however she makes quick judgments, and goes so in depth regarding the legalities of telling her story, her reason for telling the story is lost. The story begins in 1986, while shopping in Soho. She was denied admittance to a store and was told they were closed. Since it was 1:00p.m. this was untrue. She assumed the reason she was being turned away was because of her skin color. She is so enraged she wants to break through the window. Quickly she accused the white teen-aged clerk of being, â€Å"narrow-eyed†, as well as a, â€Å"sales child†. She hung a poster telling her tale in the window of the store when it was truly closed. This was a way of exercising her first amendment right. The second attempt to tell her story did not go well. After the editing process, all of her fury, the store’s name, and even her race had been erased. She was told it was, â€Å"against ‘editorial policy’†. She was enraged, and eventually convinced the editors that mention of her race was essential to the story. She then told her tale at a law-school conference. This time she also told of her troubles while trying to have her story printed. Overall, this is a justifiable argument, worth telling. However, the author is too bias for her own good, and her quick, fiery attitude prevents the telling of her story to go more smoothly.... Free Essays on The Death Of The Profane Free Essays on The Death Of The Profane Too Hot To Handle â€Å"The Death Of The Profane† is an exert from The Alchemy of Race and Right, written by Patricia J. Williams. She is a professor of law at Columbia University. The argument is valid, however she makes quick judgments, and goes so in depth regarding the legalities of telling her story, her reason for telling the story is lost. The story begins in 1986, while shopping in Soho. She was denied admittance to a store and was told they were closed. Since it was 1:00p.m. this was untrue. She assumed the reason she was being turned away was because of her skin color. She is so enraged she wants to break through the window. Quickly she accused the white teen-aged clerk of being, â€Å"narrow-eyed†, as well as a, â€Å"sales child†. She hung a poster telling her tale in the window of the store when it was truly closed. This was a way of exercising her first amendment right. The second attempt to tell her story did not go well. After the editing process, all of her fury, the store’s name, and even her race had been erased. She was told it was, â€Å"against ‘editorial policy’†. She was enraged, and eventually convinced the editors that mention of her race was essential to the story. She then told her tale at a law-school conference. This time she also told of her troubles while trying to have her story printed. Overall, this is a justifiable argument, worth telling. However, the author is too bias for her own good, and her quick, fiery attitude prevents the telling of her story to go more smoothly....

Ethnographic Film and Post Colonial Discourse Essay

Ethnographic Film and Post Colonial Discourse - Essay Example Hybridity is given as antidote to essentialism, or "the belief in invariable and fixed properties which define the 'whatness' of a given entity"3. This kind of mutation modifies the established pattern with a 'mutual and mutable' representation of cultural difference that is considered in-between the colonizer and colonized. 4) Arif Dirlik, who developed Said's theory of Orintalism, proposes one more point of view. Dirlik suggested that the Orientals are striving to protect themselves by the shield of Orientalism; however living in the globalized world, they do not break ancestral traditions and rules. Most of ethnographic films represent postcolonial discourse in different meanings, but the 'red line' of such films is approximately the same: problem of an individual who has to acculturate and accept an unfamiliar outlook. More and more cinema festivals are dedicated exactly to ethnographic films, more and more film directors got interested in this topic from the time of inventing motion pictures up to nowadays. In this essay it is necessary to mention such masterpieces as "Act of War - The Overthrow of the Hawaiian Nation", "Nanook of the North", "First contact" and "The River" (Reka). "Act of War -"Act of War - The Overthrow of the Hawaiian Nation" (1993, made by Punipau and Joan Lander). In 1778, when the British traveler Captain James Cook and his crew landed at Hawaii, they were surprised to find hard-working people and a highly developed civilization. At the same time, for the Native Hawaiians, this first contact with Europeans caused a lot of events that completely derived them of their independence and culture. This provocative documentary chronicle included photographs and commentaries and re-produced the period of American annexation of Hawaii in 1898. The struggle of authentic Hawaiians against social, political and cultural invasion was vividly shown in this film. "Nanook of the North" was created by legendary Robert Flaherty in 1921, is possibly one of the best known of the silent era documentaries. Flaherty had undertaken a long voyage to the sub-Arctic eastern coast of Hudson Bay during which he filmed the landscape and filmed Eskimo communities. Flaherty's intention was to make a film collaborating with the local inhabitants. Also he discovered problematic side of the Inuit community as some kind of "eternal", noble race that lives in total isolation and is resistant to westernization. Flaherty perfectly re-created an Eskimo culture: the main character's everyday life including hunting seal, fishing, building igloo was caught by Flaherty's camera. The directors shares his incredible respect to a culture that has learned to not just survive but flourish in such a severe environment. The main theme of film can be formulated as following: "humanity against the nature, but human is the nature". Problem westernization

The Problem of the Corrections in Prisons Term Paper

The Problem of the Corrections in Prisons - Term Paper Example It is on this basis that the USA established a legal system, which included the police, and the federal court system. The federal court system of the US falls in the judiciary system under the USA constitution. The US federal court system gets segmented into the highest court composed of the Supreme Court, which acts as a last resort in the process of judgment. It also has the appellate (appeal) courts that are in charge of appeals for the district of Colombia, appeals for veterans, appeals for the armed forces, appeals for the federal circuit, as well as the foreign intelligence court of review. Below the appellate court, is the district court including the 94 federal district courts (Neubauer & Fradella, 2010). In Article III of the USA law, the United States Congress is the body mandated, with constitutional power to establish courts. It also the body permitted to formulate regulations governing the courts. In addition, they can create limitations as well as eliminate the federal judiciary excluding the Supreme Court. The district court remains the general trial courts in the US with jurisdiction to handle any case according to the specification in the constitution. They also have the jurisdiction to hear appeal diverted by the administrative judges the higher courts. This must come with authority from the above courts according to article three of the United States Constitution on legal systems. The supreme courts, on the other hand, operates under a mandatory system of review which means the court only listens to appeals from the district courts (Mauk & Oakland, 2005). When a person is, therefore, not satisfied with the decisions from the district courts, he is granted by law to lodge c omplains in the Supreme Court in the form of appeals.

Four Important Topics Of Literature

Four Important Topics Of Literature Introduction: This paper covers four important topics of Literature, which include: Essay, Poetry, Prose, Drama and Film. Essay is a form of writing, which can be literary-based or scientific-based. Like any other form of writing, it has its different characteristics, and also it serves for different purposes. For example, when writing a letter to a friend, it could be said that it is a form of an essay. When applying to colleges nowadays it is mandatory for every applicant to write a so called entrance essay. Even the newspaper columns are designed to be written in an essay based. Essay consists of three parts: an introduction, which is the first paragraph of an essay, the body which includes several paragraphs, and the conclusion, which consist of one or more paragraphs and is structurally the last part of an essay content. Poetry is an ancient literary art. There are many poets who have contributed so much to enrich the literature that is being studied today. Like any other form of literature, it has many characteristics that define poetry. But unfortunately there isnt a clear definition of what poetry is. So, different poets have expressed their thought of what they think defines poetry. Prose in another important work of literature. It is defined to be as the epic literature that is written in lines. It is basic literature that is seen and used daily. Prose includes books, such as novels, tales, and short stories. Like any other literary work, it has different characteristics, and rules and regulations that make up the prose. Drama is also known to be more popular during the golden age. Its a literacy work that is written basically to entertain people, especially Kings Courtyard centuries before. Nowadays, well known dramas play on theaters, throughout the world. Film is an art form of motion picture, also known as movies. Many representatives are involved to make up the film. Film has different characteristics that are known as Action films, Adventure, Comedy, Crime and Gangster, Drama, Epic/Historical, Horror, Musical, Science Fiction, and Western films. ESSAY Definition Essay is a form of writing, which is relatively short and could be literary or non literary writing. The word essay for the first time was used be a French writer, Michele Montaigne, as a matter of fact the origin of the word essay comes from French, which means to try or to attempt to write (Musai, B. 2004). The period when Montaigne started to write essays, even though we find some forms of essays before this period, makes us understand that essay is the newest form of writing in comparison with poetry, prose and drama. Essay is a collection of ideas, mainly literary ideas, or a single idea, written and backed up by some supporting facts. Most of essays have pattern which they are written. English teachers use them frequently as a testing tool, but today they are also a major part in students entrance exam for college or University (Fleming, Grace, 2010). Representatives As mentioned under definition, the common form of essay dates back to Montaigne, whose essays got published in 1588, although the types that we have today are derived and evolved due to the increasing needs and language expansion. From early representatives we also find an English writer, Robert Burton, although he differs on the style from Montaigne. Montaigne used essay writing as a self-discovery, more of a personal narration, whereas Burton expressed his knowledge through essay, more like a modern essay that we have today. Also we find some early representatives from England such as Sir Thomas Browne and Laurence Sterne. Some early representatives from France include also Andre Gide and Jean Cocteau (Britannica Online Encyclopedia, n.d) We can confidentially say that essay has changed its role and purpose since its beginning. Essay has evolved from a personal story to a more detailed tool of one expressing feelings, ideas and so forth. Today essays have same pattern, use a format, and discuss a range of topics; they are used to persuade somebody of something, to narrate a story or an event, express feelings for some issues and policies and even used as a social and political criticism tool. They have evolved and become an integral part of college and University recruitments. More often than not, students are given essay assignment on topics that require a student to take a stand in very controversial issues such as abortion, global warming etc. Types and characteristics of essay Based on the sets of skills one has, today essay provides a form of writing for everyone and every personality. If you are a person that likes to argue, you can use an argumentative type of essay to express your feelings, opinions, thoughts. If you are gifted with descriptive skills, you can use this type of essay and colorful language to describe something. In general, these are the types of literary essays: descriptive, narrative, evaluation and persuasive or argumentative essay. Narrative is more of a literary type of essay, meaning it is characterized more in artistic language. The story in narrative essay most of the time is written in chronological order. Descriptive essay could be literary or non-literary (Fleming, G. 2010). This type of essay is used to describe an object, a place, a person or an event. An example of this would be: What is a car, what is it made of, how is it put together, how long it lasts and so on. Evaluation essay has multiple types and is mostly used in different levels of education. Some of the evaluation essays are: essay of a process or guide, comparison contrast essay, calcification essay, cause and effect essay, conclusive essay etc. Persuasive or argumentative essay is one of the four main types of essay. Its goal is to persuade the reader to accept, master, or act according to the ideas of the writer. This is different from the goal of narrative essay which is that reader tries to understand the authors ideas. In this type of essay, writer is required to back up his ideas with statistics or other proofs to convince the reader of things he is writing are correct (Musai, B. 2004). There are also non-literary types of essays such as visual arts, music, film and photography etc. The general format of essay is: introduction which is made of three to four sentences; body of the essay that can have multiple paragraphs and conclusion (Lilly, M. 2006). In general, essay is different from other literary writings. It is somewhat similar to prose because it is written in lines. Sometimes it could also be similar to prose in content especially narrative and descriptive essays. The difference between the essay and the narration is that narration contains more figurative expressions, whereas essay contains facts and supporting arguments. This also concludes that essay differs a lot with poem and drama. However, in contrary to other literary and non-literary forms, essay is written for multiple purposes and different topics. Today it is written in different educational levels, hiring purposes, in daily paper etc. POETRY Definition: The word Poetry derives from a Greek word poiesis, which means in a making. Poetry is a unique art of literacy, but it doesnt have a clear definition of what it is. It is said that poetry uses a fictional plot, a specialized language, and it is written in a special form (style). When writing poems, authors try to express their thoughts in less space using that specialized language, not compare to novels and short stories that use much more space. Poetry is an ancient art of literacy, before people use to carve poetry in the caves, and that is known to exist long before. There are many poets, and uncountable written poems thought the time, but there isnt a clear definition of what poetry is. Although, many poets have their own definition of poetry. For example Paul Engle definition of poetry is: Poetry is boned with ideas, nerved and blooded with emotions, all held together by the delicate, tough skin of words (Poetry America, 2009) by Paul Engle. Another quote by Aristotle: Poetry is more philosophical and of higher value than history; for poetry tends to express the universal, history the particular(Poetry America, 2009). Even though it is difficult to define poetry, most people are able to recognize it when they see it. It is worth remembering that poetry especially in the form of the song is one of the oldest forms of artistic expression, it is much older than prose and is seems to originate in a human impulse that reached for expression in joy, grief, doubt, hope, loneliness, love, etc. For example, the National Anthems are poems, that are turned into songs or the Anthem that express so much feeling, about joy, victory of being proud of their heroes and their Nation. Representatives: There are many well known Poets thought the world, but to be represented in this paper two preferred once are chosen: Robert Frost and Emily Dickinson. Both are American Poets, whose art of poetry is well known. They have contributed so much to the American literature and have enriched it with their creativity. Robert Frost has written many poems, but his poems are well know, one of which is Stopping by woods on a Snowy Evening (Academy of American Poets, 2009). Emily Dickenson is one of the most famous female poets in American literature. She has written close to 2000 poems, and her poems were numbered. On of her many poems is called: A Bird came down the walk (328) (Academy of American Poets, 2009). Differences between Poetry and Drama: The Poetry and Drama are different in many ways. Drama is presented to the public as an entertainment, either telling a story which the author is not physically there, but it is told though different other people, or actors. Whereas poetry is also recited by other people besides from the poet himself/herself. Sometimes is it also played in the stage too, through songs. Characteristics of Poetry: There are many characteristics of poetry, the main ones are Lyrical poetry and Narrative poetry (Lethbridge Mildroft, 2003). Lyrical poetry are short, non-narrative poems, which include subcategories, and one of them is the Sonnet, which is written in fourteen lines (Lethbridge Mildroft, 2003). The Narrative poetry is a form of poetry that tells stories through it, for example love stories, tragedies etc. Other forms of poetry are written in four lines, which are known as stanza. Stanza is used more often in poetry, by many Albanian poets as well as poets throughout the world. PROSE Definition Prose is a type of epic literature that is written in lines. Usually sentences in prose continuous in that line, not in another one. Some authors (writers) say that writing prose is the best form of writing, because words are in their best order. Sometimes we wonder what does the word PROSE means. The word prose comes from another similar Latin word that is PROSA and it is used to describe facts or anybodys thoughts. Representatives There are many well known prose writers but we mention two or three of them, like Shakespeare, Virgina Wolf, Henry Fielding etc. Shakespeare is one of the most famous writer, he is known with his dramas like: Romeo Juliet, Macbeth etc. Virginia Woolf is the one who presents a new style of writing in Prose through the events, such as Stream of Consciousness, and Henry Fielding who gives another direction of prose writing. Differences between prose and poetry There are some differences between prose and poetry. We can say that prose is easier to understand because unlike prose for poetry, we can explain prose with our words. Another difference is that in prose it doesnt matter if it rhymes or not. There are a lot of differences between prose and poetry but despite this sometime it is difficult to note which one is prose and which one is poetry (Rrahmani, Z., 1999). Differences between prose and drama Expect the differences between prose and poetry there are some differences between prose and drama. In the prose the author is the one that describes characters and settings, but in the drama there are actors and actresses that play on it. Characteristics of prose There are two basic kinds of prose: elementary forms and composed forms (Rrahmani, Z., 1999). In the elementary form there are: Legend, Myth, Fairy tales, and in the composed forms there are: Novel, novelette, Tale (Rrahmani, Z., 1999). Elementary forms The word Legend comes from Latin word that means something that is needed to be read. That tells a story which can be real but which can contain other decorative elements. Myth is Greek word that has a lot of meanings like: tale, language, speaking etc. It talks about tribes, their lives and the origin of world. Fairy Tale is another kind of elementary literature form and it is wordy creation that combines real and fantastic motives (Rrahmani, Z., 1999). Composed forms Novel is large type of prose and the word roman comes from Latin word lingua romana. Novel was read by different social layers. Word novelette means something new, that comes from Latin Word novelus. Novelette contains extraordinary motives but it doesnt mean that novel avoid other events from daily life. Novelette contains some structure elements like: small number of characters, interlacing between real and fantastic. Tale is a short type of prose, this type comes from fairy tales and legends. In tale there are reflected some important side of reality (Rrahmani, Z., 1999). DRAMA Definition: The general term DRAMA (Classical Greek: ÃŽÂ ´Ãƒ Ã‚ Ãƒ ¡Ã‚ ¾Ã‚ ¶ÃƒÅ½Ã‚ ¼ÃƒÅ½Ã‚ ±, drà ¡ma meaning action) (Wikipedia, 2009) is understood to be a composition literary, which is written to be represented in theaters. For that reason authors consider its solid rules, without their application drama cant be successful in stage. At drama devoid the confession and description, whereas all the text surrender via dialogue and monologue. Drama differs considerably from poetry or narrative because drama it is usually written to be performed in stage by actors. Aside from the text that actors will express, didaskaliet are also a component of drama, wherewith characterizes the view of scene, personages doings and demenaunors, the noises that are going to be heard etc., which usually puts in brackets. Classic drama (Greek and roman) was written in verse and was played in amphitheaters, some of them are still saved (for example in Butrint, which was Greek colony). Classic drama have had a solid construction, they were count by strong rules, so its composition necessarily traversed in those phases: exhibition, interlacement, culmination, vicissitude and solution. A drama usually separate in small components, which are called acts, so we have dramas with five acts, three acts, one act etc., meanwhile smaller unit is scene, which hits every actors entrance and exit in stage. Another feature of classic drama was oneness of the place (the event had to came off in one place), oneness of the time (the event held out twenty-four hours) and oneness of the doings (the event didnt have a break). As every drama flow by a conflict, which make a specific language, more dynamic, more emotional, not usual. Modern drama arrived to bring in scene the man, life and random language (Culler, 1997). Characteristics of the drama Until the18th century tragedy and comedy were the main kinds, but later the drama was displayed, which then took the dominant role. Tragedy In the ancient time handled the destiny of the kings and demigods. The affairs which civilized were unusual and big. The language of the drama wasnt daily, it style was high so just Kings and Queens and the people of the court could understand it. Later on the characters of the tragedy became the big historical characters. The main feature of the tragedy is that its conflict ends necessarily with the heros death. Comedy (In Greek komo convivial and od song) is a dramatic work (Wikipedia, 2009). Since antique comedy attended with usual people and usual events, which had a happy ends. As tragedy designed to concuss with its tragic end, comedy designed to make you laugh. Comedy was very open divide its designed thematic, divide its yoked characters and divide its way of civilizing. From the roman authors disunited Plaut and Terenci than Shakespeare in England, Molier in France, Gogol in Russia, etc. There are many centuries that dominate the writing of drama, which is written in prose, which doesnt have solid rules anymore like classic creations, which has a much wider gamut of the thematic and has an unlimited chance to choose the characters. It design mans destiny, who is confronted with different harnesses, who collides with the fellowship and pass into the tragic and comic situates at the same time. After the technology revolution, from drama some new styles of art appeared, which are much more famous in all over the world, like radiodrama, television drama and movie. FILM Definition: Film is an art form of motion pictures, also known as movies. Films/movies are shown in cinemas, or movie theaters, where people gather to see them. Film is a form of entertainment which has grown into a huge business worldwide nowadays. The first motion picture ever made is known to be The Horse In Motion which dates back in the 1878 (Associated Content Inc., 2010). Further more, there isnt an exact answer when the first movies was made, because back then the technology was not as advanced as it is now. But the film technology has improved throughout the years, the first movies, were without sounds, and without colors, and now there are 3D movies, which are said to be advanced. Representatives: First of all film representatives are considered the writes, those of short stories, Novels, Fictions, Fairytales etc. Then there are people who are part of making the film, which are known as the screenwriters, actors/actresses, film crew, film director(s), experimental film makers, movie studios, and finally film critics (Knowledgerush, 2009). Difference between Drama and Film: The difference between drama and film isnt much different, except the Drama is performed in from of an audience, whereas film is recorded and then shown to the audience. At the end they have the same idea, it is an art of entertainment and also a way to educate people though different plays, or shows and also different films. Characteristics of Film: There are different characteristics of Film/movie, for example: Action films are those that have in it battles, fightings, explosions, fires, basically that show a lot of action. As everyone knows that The James Bond films are action films. Adventure films are films that have to do with expeditions, trying new things, exploration of near and far away lands, such as the quest to find the hidden treasure, for example the movies National Treasure. Comedy Films are films that make the audience laugh while telling a story. Crime and Gangster Films are films that have to do with murders, and generally with people that dont obey the law. For example The Law and Order series. Drama films, are the once that have to do with romance, romantically tragedies etc (American Movies Classics Company, 2009). Epic/Historical Films are based on historical events, on war, or on heroic figure for example the Albanian heroic figure is made into a film known as The Scanderbeg. Horror films are basically films that are made to terrify the audience, at the same time to entertain them. Musicals (dance) films are films that have lots of dancing and singing in it. A well know musical movie called The Sound of Music. Science fiction films are those that have aliens, the ones that are well known are The Star War series. And finally the Western film, are generally known as the American cowboy movies, with Indians, guns, horses etc (American Movies Classics Company,  ©2009). Conclusion: To conclude of what is mentioned above about Essay, Poetry, Prose, Drama and Film, it is important to include that they have enriched literature that is known to us today. These subcategories of literature are all connected to one another. They are a written art, which has improved peoples knowledge. Everything that is known to mankind, about its history it is written through essays, poetry, prose, drama and also showed in motion picture. Even though each of them has different characteristics, they all have one purpose that is to communicate between people.

Macbeths feelings

Macbeth feels great remorse and guilt for the act that he lust committed. He wash's very much that he did not kill the King and this Is shown through his excerpts in Act 2 scene 2. He describes his hands as being a ‘sorry sight' for they are drenched in the King's blood. The blood is has a very symbolic meaning for Macbeth as the blood does not just show that he has killed the King but also that he has shown shame towards the one closest to God, and that it has now been proven that he must go ahead with being crowned King.He constantly suffers psychologically and contemplates that people will find out about his killing of the King and explains that he heard a voice saying that he has killed sleep so he will ‘sleep no more'. He starts acting very nervous towards the people around him, especially the servants who he killed when he saw them straight away. He explains to Macadam that it is not possible to feel ‘wise, amazed, temperate and furious, loyal and neutral' all at once, and that he just killed them because he saw the daggers in their hands and It would not be fair If they survived.Macbeth over exaggerates his murder eying that the blood from his hands will turn the oceans ‘green to red' and that ‘Neptune ocean would never clean his hands of this act'. Macbeth is starting to act guilty towards the murder and he is regretting largely what he did. There are also streaks of fear in his thinking patterns when he says to Lady Macbeth that he is ‘afraid to think what I have done', being the King's slaughter. These comments from Macbeth explain to us that he really does feel great remorse for killing the high Liege and that hopes no one will ever find out his horrendous crime

Gwen Harwood Essay

Gwen Harwood’s poetry is very powerful for its ability to question the social conventions of its time, positioning the reader to see things in new ways. During the 1960’s, a wave of feminism swept across Australian society, challenging the dominant patriarchal ideologies of the time. Gwen Harwood’s poems ‘Burning Sappho’ and ‘Suburban Sonnet’ are two texts that challenge the dominant image of the happy, gentle, but ultimately subservient housewife.Instead, ‘Burning Sappho’ is powerful in constructing the mother as violent to reject the restraints placed on her by society, whilst Suburban Sonnet addresses the mental impact of the female gender’s confinement to the maternal and domestic sphere. Harwood employs a range of language and structural devices in order to criticise the stereotypical repressed roles of the female gender. Thus Harwood encourages the modern reader to perceive Australian social structures different ly and hence reject the inequitable role of women in modern society.Structure is used in many of Harwood’s poems to challenge the dominant perception of the happy, caring mother. In ‘Suburban sonnet,’ the structure is (obviously) the sonnet, two four line stanzas followed by a six-line stanza. This choice is deliberate as the traditional romanticised love poem jars against the reality presented in the poem. Similarly, ‘Burning Sappho’ challenges the dominant stereotypes of the time however, rather than a sonnet, the poem’s structure is also relevant to the poem’s criticisms, thus revealing a duality in the mother’s actions and inner thoughts.Throughout the day, the mother is constantly interrupted by her supposed ‘duties’ and ‘roles. ’ â€Å"Scandals and Pregnancies† mediates that the women (a kind friend) talk, however the subject of the conversation presents a typecast of stereotypical gossip, t herefore positioning the reader to perceive their conversation as lacking substance. In contrast to this stereotype however, the persona’s thoughts are deeply personal and challenging to the reader. Vivid imagery of a â€Å"monster grin(ning) and stick(ing) her child with pins conflicts with the stereotype of the loving mother.Instead, the alliteration of â€Å"pours prussic acid† presents sharp diction to emphasise the concept of violence in regards to the mother. As a result, the reader is positioned to reassess the image of the caring, gentle mother, instead seeing the resulting emotionally repressed women as a direct reaction to the constraints placed on her gender. Language and imagery plays a dramatic role in portraying relationships and feelings/thoughts of the persona.Whilst in ‘Burning Sappho,’ the mother’s attitude towards tasks is portrayed as emotionless (â€Å"the child is fed, the dishes are washed, the clothes are ironed and aired,à ¢â‚¬ ), language is utilised within ‘Suburban Sonnet’ to construct the mother’s mental state and situation as dire. â€Å"Zest and Love drain out with soapy water. † The use of two personal, passionate adjectives and the depiction of them being physically overcome by soapy water directly link the mother’s loss of feelings and fiery emotion to the household chores and duties.For example, she â€Å"scours crusted milk,† as a part of her role as mother and housewife as the reader is positioned to reject this requirement as a result of the huge impact to her quality of life (â€Å"Veins ache†). The literal image of a dead mouse symbolises the mother’s situation as the ‘soft corpse’ directly represents the mother, that is, emotionally dead as a result of the entrapment by society.The reader is positioned to fully sympathise with the mother in her repressed position and thus question the stereotypical contented mother fi gure that is compartmentalised to the domestic sphere of Patriarchal society. Both poems suggest that their forced social roles of women as mothers and housewives come at the cost of career opportunities and personal aspirations. Music and writing, in particular, are significant, as Harwood believed they played an integral part in emotions and peace of the mind. She practices a fugue though it can matter to no one not whether she plays well or not. † The fugue in musical terms is a piece of repetitive writing that is utilised by Harwood to suggest a form of monotony and recurrence. As well as this, the negative alliteration of the words, â€Å"No, not and now† can be linked to the repression of the mother’s ability to play the piano. The persona is depicted as a good pianist within the poem, reflecting Harwood’s own skills on the instrument.However, due to her femininity, the persona is unable to pursue her career. Similarly, in â€Å"Burning Sappho,† the repetition of the persona writing (â€Å"I pick up my pen and start to write†) across the four stanzas emphasises the mother’s need for creative and emotional release. The construction of the children in both poems is also instrumental in representing the social expectation of the home mother, rather than worker. In â€Å"Suburban Sonnet,† imagery collusive with the children such as â€Å"Chattering and then screaming† is very stressful and negative.In contrast, the diction and language in â€Å"Burning Sappho† is shocking to the reader as the poem not only depicts a very difficult child in contrast to the stereotypical innocent construction, but the mother’s relationship with her is fragmented – â€Å"Something like hatred forks between my child and me. † Clear negative diction is used to challenge these stereotypes of the mother/child relationship, therefore challenging the views of society, which dictate that women mu st look after their children rather than pursue a career.Through the use of poetic structure and language in â€Å"Burning Sappho† and â€Å"Suburban Sonnet,† Gwen Harwood challenges established patriarchal ideas in regards to the domestic sphere of women as housewives and mothers. Her powerful voice and rhetoric is key to her argument and consequently I am positioned to readdress my perception of these particular groups in society, sympathising with the restriction of gender roles and therefore challenging the further implementation of them on Australian Society.

Music Is An Identifying Characteristic Of Film And Television

Music is an identifying characteristic of film and television; everyone who has been exposed to popular culture knows the theme for Star Wars and The Simpsons, even if they have never seen the movie or show. Disney movies are no exception, and this is largely due to the genius creative mind of Alan Menken. Menken is best known for composing the scores for some of the most beloved Disney classics, including Aladdin, Beauty and the Beast, The Little Mermaid, Hercules, Pocahontas, and Tangled. He also made his mark composing for highly acclaimed Broadway musicals, including Little Shop of Horrors and Newsies, as well as the stage adaptations of some of his Disney hits. The familiar songs composed by Menken are permanently ingrained in our minds and are largely responsible for the success of the films and theatrical works he was associated with. Alan Menken was born on July 22nd, 1949 in New York City. He grew up in New Rochelle, New York with his sisters, Faye and Leah. Menken’s family was heavily involved in the performing arts, setting the stage for his career at a young age. His mother, Judy Menken, was an aspiring actress and playwright; his father, Norman Menken was a dentist but played boogie-woogie and show tunes on the piano as a hobby. Alan Menken aspired to be a composer from a young age, but the men in his family typically became dentists and he felt that he was expected to continue this tradition. However, he did learn to play the piano, violin, and guitar as heShow MoreRelatedThe Representation Of Gender Within Film And Television Texts Essay1594 Words   |  7 PagesThe representation of gender within film and television texts is still that of out-dated stereotypes and rigid structures. Although many modern texts claim to be subverting these archetypal representations, they are still very prominent and do not seem to be leaving our screens anytime soon. 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